[Oops! I hit publish on this post before I finished writing it! Hopefully those of you who read this post early enjoyed my slew of photos with no explanations.🙂 ]
Work on my floral Robson trench continues! I’m happy to report that I seem to have found some motivation to actually work on this project now that (a) the epic cutting part is complete, and (b) the cool fall weather is arriving. Today’s installment: bias binding. One of the defining features of my trench (aside from the beautiful floral fabric, of course!) will be black bias binding that will boldly outline various parts of the coat, including the collar and lapels.
This past weekend I started binding a few of the small pieces: the pocket welts and shoulder epaulettes. It was… time consuming. Of course. This is me we’re talking about, after all. :) I’ve been mitering the corners, which is both extremely fiddly and extremely satisfying. I bound a total of 4 pieces, and each took about 45 minutes! But, I really like the finished effect, and I think it will give the trench a unique touch.
I took a few in-progress photos of my ad-hoc (aka totally made-up) binding technique. I’m using what is essentially double-fold bias tape that I cut from a black cotton/linen blend, and I’ve folded over the 5/8″ seam allowance on the part that gets folded over to the back. The rest of the folds get made during application. If you have any advice on how to apply the tape and miter the corners better than what I’m doing here, I’m all ears!
After many months and what seems like an epic number of hours hunched over my cutting table, I’m happy to report that all the millions of pieces of my floral Robson trench coat are finally cut, interfaced, and ready to sew. Hooray! :)
As you can see above, I’m using fusible hair canvas on the front facings to give the lapels a bit of structure. This is the good stuff from Fashion Sewing Supply. It’s my first time using it, so we’ll see how it goes! I opted NOT to use sew-in hair canvas and pad stitch it in, mostly to preserve my sanity. The lapels may stick out a bit as a result, but I think I’m ok with that.
I’m using regular interfacing along the jacket and sleeve hems. I’ve done this before with my Simplicity 2446 blazers to great effect.
There is quite a large pile of cut pieces currently sitting on my sewing table. It’s a little overwhelming! Between the floral outer fabric, flannel interlining, rayon lining, and all the little pieces for the pockets, sleeve tabs, welts, etc…. I think this coat is going to weigh a ton! Not to mention the awesome black bias binding that is going to be outlining all the major pieces. :)
I’ve been reading up on how to assemble a jacket with both an interlining and lining. I think I may leave all 3 layers as separate as possible to allow for movement, but I have a feeling I’ll wing it as I start assembling. One thing I’ve decided is that I won’t be treating the interlining like an underlining (assembling the main fabric and interlining as one) since I don’t want the bulk of the flannel in the major garment seams. We’ll see if I live to regret this or not!
At this point the sewing has officially begun: I started putting together the interlining pieces over the weekend. I’m excited! The cutting on this project was really weighing me down, but now that it’s done and fall is approaching, I’ve found some momentum on this project. I’ll keep you posted. :)
“Koi Pond” – Ink design by Johanna Basford in Secret Garden. Colored by me with Prismacolor Premier colored pencils. Time to complete: approximately 1 million hours.
Not much else to say except that this one took forever! Apparently I started it in March, after which it sat neglected for many months. Finally finished it up over the last few weeks. There are a few “mistakes,” as usual, but I tell myself that they add character. :)
Check out the rest of my completed coloring pages in my Finished Project Gallery (scroll down).
Colored pencil amateur hour continues here at Allspice Abounds. I think the key to learning something new is to not take yourself too seriously. I’m trying to give myself the freedom to just try things and not worry about perfection (which is really hard for a perfectionist). :) Below are my latest sketches, and what I learned from them.
Blue and orange leaves with shadows
My objective here was to experiment more with using complimentary colors to create rich shadows. Last time I used green and red, and here I tried orange and blue.
What I learned: (1) It works, but you have to be really restrained when using blue over orange. I think I pressed too hard with the blue. (2) I have to pay attention to which direction the shadows are supposed go. Art 101, right? Here I added a shadow every time the leaves overlapped, but I don’t think I did it right.
Brace yourselves: I’ve fallen down the rabbit hole of YouTube colored pencil tutorials. Whoa, there is SO much awesome stuff to learn about drawing and coloring with colored pencils! My innocent adult coloring book obsession has turned in a full-blown fascination with the big, bad world of art technique. Who knew there was so much to learn??
I made the sketch above using my Prismacolor pencils after watching this delightful video from expert colorist Peta Hewitt (warning: it’s 43 minutes long). The sketch took me about 2 hours (!!) to complete.
Two mind-blowing things that I learned in the making of this sketch:
- You can blend colored pencils on paper just like you would with paints. The key is using a white pencil or a colorless blender pencil. The effect is pretty startling. The colors blend together pretty fluidly, and the colorless blender brightens the color significantly.
- To create a rich shadow, use a color complimentary to the original color. For the green leaves above, I created the shadows using bright red. Cover up the red with more green, blend, and enjoy your beautiful shadows.
Did you ever stumble upon an entire world that you never knew existed, and then voraciously learn everything you can like a rabid beast? That pretty much describes my week. I may have visited my local art supply store three times this week.
If you’re looking for me this weekend, I’ll be glued to more YouTube videos with my pencils and new sketchbook in hand. So much to learn! :)
“The Butterfly Gardener” – Ink design by Johanna Basford in Secret Garden, coloring and custom artwork in the center square by me. All coloring was done with Prismacolor Premier colored pencils (36 pack).
The coloring bug has bitten me yet again. I don’t know what it is about adult coloring books that I find to be so ridiculously addictive. All I know is that when I get the itch to color, it’s like entering a mystical time warp of colorful, flowery bliss. My latest finish is this flower garden filled with a melange of delightful creatures.
After much indecision, here’s what I came up with! Still a rainbow, but not as linear as my initial arrangement. I added more warm blocks to better balance out the cools, and I mixed the blocks up a bit so the color transitions wouldn’t be too harsh. If I’m honest, I’m not 100% happy with it, but I am NOT ripping out any seams at this point!
One thing I learned during this exercise is that I wasn’t born with an eye for color arrangement. Getting that perfect mix and balance is really hard! I admire people who are good at this, and I hope to get better with more practice. There are few things in life that can’t be learned, right?
Here’s a close up of the back. The internal seams of the blocks are pressed to one side (to the darks whenever possible), and the seams connecting the blocks are pressed open to avoid bulk at the points. All seam allowances are 1/4 inch. There are approximately a million loose threads stuck all over this quilt top, but hopefully I’ll catch them all during basting!
I’m debating adding a thin white border around the edges, for two reasons: (a) to give the blocks a bit of room to “float,” and more importantly (b) to give myself a little wiggle room during basting and quilting. Maybe it’s just my lack of quilting skill, but having only 1/4 inch seam allowances on the edge of the quilt often results in uneven edges for me. I feel like the quilt top shrinks a bit during quilting, and it’s nice to have a little more fabric along the edges to compensate.
By the way, this quilt is huge. It’s currently about 74″ x 90″, without the border or binding. I don’t know where/how I’m going to baste it…. so suggestions are welcome! I may have to use the huge table at Gather Here for this beast.
Will keep you posted!
That’s right folks, I’m on vacation! After a very challenging summer at work, I’m taking a few days off to recover before all the craziness associated with the fall semester kicks in. It’s my favorite type of vacation, too: staying home with nothing planned. I feel so freeeeeeee!!!
Case in point: I am writing this post out on the roof deck in the middle of the afternoon with a belly full of sushi and a cup of coffee brewing. My sewing machine is in the adjacent room along with my rainbow quilt top in progress. Maggie (my sweet kitty) is napping on her cardboard scratcher, and all is quiet here in Cambridge. Honestly, it doesn’t get much better than this. :)
With nearly enough blocks to start assembling my quilt top, analysis paralysis has set in. I have a rainbow of colors, but should they be arranged in rainbow order or not?
The random order is a little less obvious than a classic rainbow, but do the colors get jumbled with such a variety?
Then again, although rainbow order is super cliche, do the colors look more harmonious in a more organized layout?
Or should I do something else entirely? Perhaps a hybrid of the two?
The quilt is currently 81 blocks strong (9 x 9), and I think I’m going to make 18 more, for a total of 99 (9 x 11). So, I have some wiggle room to adjust the color scheme a bit, perhaps making more of one color than another.
I think I know what I want to do, and it involves a bit more rearranging. What do you think? Honest opinions welcome!
Amidst the chaos that seems to define the most recent events in world news, American politics, and my day-to-day life, there has been sewing. Calming, peaceful, and focused sewing. Do you sew to drown out the chaos? I know I do. It works pretty well, at least temporarily. :)